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The principle that a sound reading rests on at least three cues pointing the same way.
Crossed arms, a turned torso and a frown together make a far stronger case than any one alone.
Gather a cluster before forming a view, and treat a lone gesture as a question rather than an answer.
Even a cluster suggests probability, not proof, so remain open to other explanations.
The principle that the setting often matters more than the gesture itself.
ExploreThe principle that meaning lies in change from a normal state rather than in fixed signs.
ExploreThe practice of weighing face, body, voice and setting together as one picture.
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